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Art and society --- Art and society --- Art --- Art --- Pop art --- History --- History --- Marketing --- History --- Marketing --- History --- Warhol, Andy,
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Sculpture --- sculpting --- Bolande, Jennifer
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In October 2014 the Moderna Museet will premiere Sculpture after Sculpture a major exhibition that brings together the work of three of todays most esteemed artists, Katharina Fritsch, Jeff Koons, and Charles Ray. The exhibition at the Moderna Museet is the first in which these ground breaking artists can be seen together in appreciable depth.0A focused examination of thirteen large-scale masterworks presented in a series of telling juxtapositions, Sculpture after Sculpture traces the parallel developments of Katharina Fritsch (b. 1956), Jeff Koons (b. 1955), and Charles Ray (b. 1953). Beginning with iconic works from the late 80s and early 90s, which highlight the artists shared relationship to the commodity and the readymade, the exhibition follows the development of their practices up to the present. Highlights of the exhibition include Jeff Koonss celebrated Michael Jackson and Bubbles, 1988, a porcelain and gilt confection depicting the late Pop legend Michael Jackson with his pet chimpanzee for which the sculpture is named; Charles Rays two-ton aluminium Tractor, 2005; and Katharina Fritschs acid yellow apparition Madonnenfigur (Madonna Figure), 1987. 0Exhibition: Moderna Museet, Stockholm, Sweden (11.10.2014 -18.1.2015). In October 2014 the Moderna Museet will premiere Sculpture after Sculpture a major exhibition that brings together the work of three of today's most esteemed artists, Katharina Fritsch, Jeff Koons, and Charles Ray. The exhibition at the Moderna Museet is the first in which these ground breaking artists can be seen together in appreciable depth. A focused examination of thirteen large-scale masterworks presented in a series of telling juxtapositions, Sculpture after Sculpture traces the parallel developments of Katharina Fritsch (b. 1956), Jeff Koons (b. 1955), and Charles Ray (b. 1953). Beginning with iconic works from the late '80s and early '90s, which highlight the artists' shared relationship to the commodity and the readymade, the exhibition follows the development of their practices up to the present. Highlights of the exhibition include Jeff Koons's celebrated Michael Jackson and Bubbles, 1988, a porcelain and gilt confection depicting the late Pop legend Michael Jackson with his pet chimpanzee for which the sculpture is named; Charles Ray's two-ton aluminium Tractor, 2005; and Katharina Fritsch's acid yellow apparition Madonnenfigur (Madonna Figure), 1987.
sculpting --- Sculpture --- Fritsch, Katharina --- Ray, Charles --- Koons, Jeff --- Sculpture, American --- Sculpture, American. --- Sculpture, Modern --- Sculpture, Modern. --- Fritsch, Katharina, --- Koons, Jeff, --- Ray, Charles, --- 1900 - 2099. --- 1900-2099.
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installations [visual works] --- photography [process] --- sculpting --- Sherman, Cindy --- Wall, Jeff --- Ray, Charles --- Demand, Thomas --- Fischli, Peter --- Hirst, Damien --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- Weiss, David --- Gober, Robert --- Fritsch, Katharina --- Prince, Richard
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The book offers the first retrospective overview of the artistic accomplishments of American conceptual artist Louise Lawler during the past twenty years. It also presents a number of very recent works. Lawler (born 1947 in Bronxville, New York) subjects the concept of art to critical analysis by photographing drawings, paintings, and sculptures and incorporating aspects of their immediate surroundings into these "copies." Viewed with a certain detachment, her demystified reproductions also reveal the contextual and situational connotations of the artworks, which recede to a certain extent into the background. In her own exhibitions Lawler restages and reflects on these institutionalizations and questions connotational shifts brought on by art industry. In the process, she makes it clear that the presentation - and thus the interpretation - of art can never be free of value judgments.
Lawler, Louise --- 77 LAWLER, LOUISE --- Fotografie--LAWLER, LOUISE --- Exhibitions --- 77 LAWLER, LOUISE Fotografie--LAWLER, LOUISE --- Art contemporain --- Photographie d'art --- Photographie-tableau --- Appropriation (Art) --- Photography of art --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Art --- Appropriation (Art) - Exhibitions --- Photography of art - Exhibitions --- Lawler, Louise - Exhibitions
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Art styles --- Pop [fine arts styles] --- Turk, Gavin --- Warhol, Andy --- Murakami, Takashi --- Vaisman, Meyer --- Pruitt Early --- Cosey Fanni Tutti --- Kippenberger, Martin --- Haring, Keith --- Nagy, Peter --- Robbins, David --- Spaulings, Reena --- Uklanski, Piotr --- Koons, Jeff --- Cattelan, Maurizio --- Bickerton, Ashley --- Emin, Tracey --- Fraser, Andrea --- Hirst, Damien --- Lucas, Sarah --- Sturtevant, Elaine --- Prince, Richard --- anno 1950-1959 --- anno 1960-1969 --- anno 1900-1999 --- anno 2000-2099
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Art --- Sculpture --- installations [visual works] --- art [discipline] --- sculpting --- Harrison, Rachel --- United States of America
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